RED CARPET FLASHBACK : setting up the segments at the 2010 American Music Awards

-

i've fallen behind again.

-

after shooting the segments for dick clark

to air during the red carpet show for the ama's,

jo and i were asked to come on the carpet and do a little set-up

and outro for each segment.

-

it was an excuse to dress up,

so,

yeah,

we were there.

-

-

krissy and andrew kept us fueled and waiting in the wings

before our segments

-

-

i mean, please.

check out ms. josephine in her bic owens dress,

vintage fur,

black diamonds from my sister's line,

and . . .

$30 charlotte russe pumps.

-

-

then, it was showtime

-

-

went by in a blur, it did.

-

then we retired to the lounge, 

watched the red carpet arrivals,

and met some great new people:

-

-

ok, tim we knew.

-

jorge cruz, a fitness expert and author,

very fun:

-

-

and the new artist,

KingQueen,

who sang live on the carpet,

and i adore:

-

-

and, eventually,

back to the theatre to watch the show.

-

-

why coming home to l.a. is always > anything else :

-

-

the streets of buenos aires : a visual poem

-

you get to see so many sides of a city

when you produce in it.

-

some of my favorite moments:

-

-

(yes, that is leela and nibbler.)

-

-

THE BEST LAID PLANS vs. THE HAPPY ACCIDENTS :

-

here's the thing about all this stuff i do.

-

you can plan every detail, down to every single frame in your head:

-

-

you can fly between countries,

trying to find the "perfect" cast for the story:

-

-

your producers can be so buttoned up you want to see them TRY to relax:

-

-

your locations,

they can be spectacles unto themselves:

-

-

you can eat out at amazing places,

learning about each other:

-

-

you can have your director of photography,

toshi,

create sunbeams and shadows,

anywhere:

-

-

your clients,

they can be the kind of people

who will sit on stone stairs at the end of a 17 hour shoot day

without a whimper,

and laugh,

and sing,

and make you smile:

-

-

and still,

there will be moments you find yourself isolated,

a little exhausted,

almost alone:

-

-

and still,

it will rain for hours

and kill a favorite shot,

and you have to just suit up in neon and push through:

-

-

and still,

you will find yourself on a rooftop 

on the other side of the world,

-

-

and you will look down as dusk falls,

and see an older couple,

just beginning to tango:

-

-

and through it all,

you will think,

yes,

i am not lucky,

i am blessed.

-

wardrobe fittings, and the BOTTEGA VENETA dress that got away . . .

-

no secret,

one of my favorite parts of shooting

is when we get to the fittings.

-

it's like playing dress up with life size barbie dolls.

almost literally.

-

and i've learned from experience,

that when traveling to buenos aires,

it's often best when you have a vision to have your amazing stylist in the states

(cue : bic owen)

pull ALL the looks,

rent, borrow, buy, or steal,

and bring it with you.

-

why?

-

cause they can't get THIS stuff

down there:

-

-

the driving gloves along in dove gray?

the dolce lace?

the vintage white?

the models were lucky i gave them a chance to put it on.

-

so.

you put it all in the film planet "warehouse",

bring in the girls,

and get going.

high to low,

basic to full on

until you have a story,

told in clothes.

-

-

and it rocked.

-

you'll see most of it when the commercial releases,

but there is one dress

that "got away".

-

as sometimes happens,

in the middle of our location day a torrential monsoon 

came out of nowhere

(after the riot police.  and the protesters.  not making this up.)

and you lose three hours,

and one of your favorite shots / outfits.

-

it's just a dress . . . there's always another spot . . . but oh, what a dress this was.

-

bottega veneta fall 2010.

-

ex. quisite.

-

-

alas.

next time, b.v.,

next time.

-