Friday, October 2, 2009

from nightlife to tea parties -


just to show that we're not all about
photoshoots and nightclubs,
some pictures from a highlight of the social season:
jo strettell's tea party.
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one of the things we love about jo
is that besides being one of the most highly skilled and innovative make-up artists
in the fashion industry,
she is one of the most humble and funny people you could hope to meet.
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she is also as british as the queen.
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hence the completely wonderful tradition of sunday tea parties,
all from scratch.
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home baked cookies, tea sandwiches, individual tea pots . . .
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and the irrepressible daughter, jasper,
who knows nothing is as entertaining
(or wildly disturbing)
as the family dog wearing a rabbit snout:
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Thursday, October 1, 2009

today is the first day of the change you have been waiting for -

i was told this summer that i wasn't allowed to make any decisions
or to try and affect any changes
until october.
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i was only allowed to create.
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it's here.  so i'm advising this:
don't look back
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you have already been there.
look forward.
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something new is almost here.
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Wednesday, September 30, 2009

MR BLACK - LOS ANGELES - THE FAMILY PORTRAIT

before attending luke's new night,
i got to shoot him and his famille de nuit.
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talk about a willing and photogenic crowd . . .
i loved shooting them.
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kind of makes you want a reservation for next tuesday, don't they?
i'm pretty sure luke will let my friends in . . .
meet us at the bar?
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Tuesday, September 29, 2009

luke nero, mr. black (los angeles), and the chronologically most recent launch from our little group -


the thing i love the most about the people i've been playing with all summer
(and "play" is the proper verb regardless of the "work" involved in the learning curve and execution)
is that there is no predicting the direction that any one of them
will head off in,
dragging us all as willing participants along for the ride.
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for instance,
here we are with luke nero (far right) at the second week of his event,
MR BLACK,
which he decided about a month ago to import from nyc.
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(eduardo xol, jo strettell, the landis, luke nero)
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in nyc, the club was known for it's ability to mix celebrity and coctails and conversation,
waiters in no more than aprons and boots,
flash bulbs, closed doors, and club kids . . .
if you are lucky enough to remember it the next morning.
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from what we saw,
luke is off to a great start.
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we mingled over dinner first:
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(tim and michael anthony)
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the got up and mingled more with the crowd:
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(the russian doll effect came from the dark club, the french 75's, and lenora claire's red hair.  tim was confused.)


(krissy lindquist came later.  just in time to meet us on the dance floor.)
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(i just adore Larva.  she inspired my leather riding cap.  then trumped me with a feather!)
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Monday, September 28, 2009

WHERE DO WE GO FROM HERE ? i've spent the past few months figuring my part out. here's why. and here's how. -

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some of you may have noticed the drop off in posts here lately.
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perhaps even the distance between intimacy and arm's length in the posts that do appear.
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it's been quite a summer.
so this is your little update, the lifting of a bit of a curtain,
to bring you in a little closer again to what i've been up to.
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the initial plan was to spend the summer here:
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it being a "big" birthday and all,
we were going to head back to limoges to see my mother
during her two month stint as she taught and painted and cooked her way silly
through the summer, and then spend a few weeks ourselves
celebrating change and friends whom we dragged along
in the city we most love.
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but then, as has happened for many of you,
the economy hit,
and we had to face some realities.
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realities like:
we were both trying to start new (ish) careers,
in a new city,
at the worst possible time.
that my choice to direct and desire to shoot photography
coincided in a sudden dry spell with the work that i had previously seen burgeoning.
that the world had changed and was going to be far more competitive.
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and i'm going to do THIS:

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AND THIS:
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for the rest of my life.
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(there.  i've said it in print, finally.  feels like home.)
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so the summer became one of learning and exploring from home,
rather than celebrating and splurging abroad.
(i know, no tears argentina, we made the tough/smart choice).
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i've spent the last five months taking on some amazing,
challenging,
creatively free-reined,
and budgetarily TINY projects.
i've directed with a crew of people whom i've been lucky enough to assemble around me
over years of work (they did me some BIG favors)
and from rather recent connections (also with the favors).
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we've shot film for established but re-inventing designers,
for a small but chic cosmetics company,
for new clothing lines,
and more.
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and the print side has been amazing,
filled with a steep (but rewarding) learning curve on the technical side
(love and thanks to my mentor/tutor, brandon herman, the fine art photographer),
that is buffered nicely by some work that (personally) confirms the most important thing:
i have an eye.  and it's good.
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i hope you all know me well enough now to know that i say these things
from a place secure in my own vanity,
weak spots,
and inestimable good taste
(thank you, maman, for the skill to pick out the most beautiful objet in the room,
regardless of price or provenance.)
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i guess print and the art of catching the moment in ONE image in time,
has long been such a love of mine,
it's nice to see that i'm pretty damn good at executing it myself.
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the film side?  well, i can let that speak for itself over the next few weeks.
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which leads to the real meat of this post:
the unveilings.
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each week i'll be rolling out another of the projects that we've tackled over the last few months,
each week another creative veil lifted,
and i think you'll see that giving up what i thought was the "fun" stuff
(new clothes, travel, throwing parties, etc.)
these past months
taught me both how much i love to work when i love what i'm doing,
and about how far you can go
and how much you can take on
if you really want to do something new with your life.
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also, and this is important,
it never never never would have happened without him:
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but most things that surprise me in this life couldn't,
haven't,
and won't.
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thank you, my catalyst, my task master, my number one fan.
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i think you saw all this coming long before i did.
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i hope all your summers were as interesting/challenging/draining/eye-socket expanding.
i think that's the point of this whole "life" thing.
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