Showing posts with label eddie shacknow. Show all posts
Showing posts with label eddie shacknow. Show all posts
Tuesday, August 26, 2008
RE - grouping : nobu los angeles, a stylist, and a connie bang
all i can say about NOBU in los angeles,
is that if you take insanely delicious food
a loud (maybe too loud?) and glittering environment (though maybe a bit too vast?)
and sprinkle in eddie shacknow and his humor,
connie bang and her love of the lens,
and tim and his new scorpion beaded polo . . .
well, it's the best kind of belated
a birthday can be.
even if they mis-spell your name.
i mean, they even got the colors worked out right!
Friday, June 20, 2008
FALL FITTINGS -
Wednesday, May 28, 2008
behind the mtv shoot - split screens
Labels:
behind the scenes,
betania,
connie bang,
eddie shacknow,
marilia barocco,
matt loewen,
mtv,
nina keita,
old navy commercials,
paul norman,
richard christiansen,
sarah ruba,
sveta,
timothy michael thaddeus francis johnson,
todd barket,
vancouver,
what i do
Sunday, April 20, 2008
the old navy episodes - neon nights part 3
it was day seven of the shoot.
it was night, we shot from dusk til two a.m.
richard placed every piece of neon. we wet the streets. we ran film (and marilia) over and over.


paul, counting down the last few hours:


the grafitti we had to negotiate for,
placed on the back wall of the monastery.
their only comment?
"too much blue"
wha?




kira, taking on the red camera for a few passes:

my girls,
my enablers,
and i don't wanna go to rehab:


hidden in the neon,
messages. "sarah". the year we were founded:







the wind down, at the end, we projected the film from all seven days on the wall,
watched, and remembered the intensity:



although obvious,
this is something i will never forget.
it was night, we shot from dusk til two a.m.
richard placed every piece of neon. we wet the streets. we ran film (and marilia) over and over.
paul, counting down the last few hours:
the grafitti we had to negotiate for,
placed on the back wall of the monastery.
their only comment?
"too much blue"
wha?
kira, taking on the red camera for a few passes:
my girls,
my enablers,
and i don't wanna go to rehab:
hidden in the neon,
messages. "sarah". the year we were founded:
the wind down, at the end, we projected the film from all seven days on the wall,
watched, and remembered the intensity:

although obvious,
this is something i will never forget.
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